kate carraway - From Saturday's Globe and Mail - Published
Just over a year ago, Amazon launched Kindle Singles as a format for shorter stories – memoirs, essays, arguments, fiction – meant to be read on a Kindle e-reader but also available online by way of an app. They’re a fast buy, a fast download and a fast read. Back then, Singles were mostly being touted as a way to circumvent the writer-agent-publisher triumvirate by allowing un- and lesser-knowns to sell substantial, stand-alone work that hadn’t been published elsewhere. (Kindle Singles aren’t promoted like books, but because they are an in-house product of the biggest online store in the world, they don’t have to be.) By now, they have demonstrated a complicated potential to stand in for something else.
With far fewer venues (and commensurately fewer ad sales and available pages and paycheques) to publish long-form work, both fiction and non-fiction, which were among the first kinds of journalism to go when the Internet tore through the industry, there was almost nowhere for even sure things like Christopher Hitchens (whose Single about Osama bin Laden is called The Enemy) or Stephen King (his is Mile 81, a short story) to pursue a mid-length piece. (I write columns for a monthly glossy, a weekly magazine, a daily newspaper and a popular website, but I usually can’t afford to write anything longer than 1,500 words.)
Full story at Globe and Mail.
Full story at Globe and Mail.
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