Selasa, 31 Januari 2012

Calling for applications for Iowa International Writing Program


CreativeNew Zealand is calling for applications from New Zealand fiction andnon-fiction writers, poets and playwrights to take part in the renownedUniversity of Iowa International Writing Program in the United States.
The result of a 20-year partnership between Creative New Zealandand the university,  the three-month residency is an opportunity forwriters to participate in a programme which has hosted more than 1400 writersfrom a 140 countries since its inception in 1967. 
Emerging or established writers, with a publishing track record,will have time to work on an approved project and take part in literaryactivities, field trips and excursions with other writers from all over theworld.
New Zealand’s 2010 recipient writer David Hill (right) described the programmeas a “writer’s paradise”.   “For three months I was able to write ina state of financial security, intellectual stimulation and professionalcollegiality.”
The residency includes travel costs, accommodation, a stipendand is supported by Creative New Zealand.  It will run from late August tomid-November, 2012 and the recipient will be expected to have completed, orsubstantially completed, a body of writing.
The deadline forapplications isFriday 9 March 2012.  
To find out more about how to apply please goto our website or to forward to potential applicants click on the ‘Pass iton’ link on the right hand tool bar
About the University of Iowa’s International Writing Program

Alan Hollinghurst in Sydney next month


Sydney Writers' Festival presents a very special event withAlan Hollinghurst. 
Winner of the Man Booker Prize for his brilliant satire ofThatcher's London, The Lineof Beauty, Hollinghurst will discuss his latest novel, The Stranger's Child. 

The Stranger's Child casts alonger gaze, beginning with the story of two families and two houses on the eveof World War I then coursing through the 20th century to tell a larger story ofEngland -- and of its truths secreted by time.
Alan Hollinghurst will appear in conversation with SydneyWriters' Festival artistic director Chip Rolley. 
Tickets on sale now. 
Location: VerbrugghenHall, Sydney Conservatorium of Music
Date: Friday 9 March 2012
Time: 7.00pm - 8.15pm 

News from the Arts Foundation

Derek Lardelli (Laureate) and has beenawarded a new academic position.  He becomes an Associate Professor to Tairawhiti’sEastern Institute of Technology.  


Derek is recognised nationally forthe revival of Ta Moko and as a key figure in the field of kapa haka.  Hehas been the cultural advisor to the All Blacks since 2005 and responsible forthe branding of the Athens and Kuala Lumpur New Zealand Olympic teams, amongmany other projects.

Pop-up literature


Exciting news from  the Institute of Modern Letters Newsletter

Wellingtonis to have a temporary Literaturhaus,courtesy of the Goethe Institute.  The first week’s programme runs 7-11February, and includes presentations by Kate de Goldi andLloyd Jones and a poetry cabaretwith Lorenzo Bühne, BillManhire and Chris Price.

The poetry cabaret takes place at Meow, which hosts another poetryevening a week later, at which Poet Laureate Ian Wedde reads alongside AmyBrown, Aleksandra Lane and Lynn Jenner.  More here

Further comment on the New Zealand Hierarchy of Book Publishing

This was Kauri Bookend's opening gambit posted on the blog last week:
Following my post yesterday on the international Hierarchy of Book Publishing, Kauri Bookend has left a new comment suggesting his/her NZ top twenty. My thanks to Kauri Bookend. Here it is for your amusement and/or comment with a few pics I have added:
1. Unity Books Auckland and Wellington: Simply the best
2. Bill Manhire : Done more to raise the quality of NZ Fiction and Poetry than anyone else
3. Geoff Blackwell : Shame he isn’t running one of the local multi-nationals. He should be
4. Lloyd Jones : Our pre-eminent novelist with a five star track record.
5. The Editors: especially Barbara Larson, Jane Parkin and Anna Rogers: Making good books better.


6. Neil Cross{Wellington]: Lead writer on Spooks, creator of Luther, author of nine great books including the Booker listed Always the Sun. Photo-SST
7. The other independent booksellers: apart from that grumpy bugger in Timaru.
8. The Reps- a diminishing breed but still a vital link between publishers and booksellers who care.
9. Karen Ferns – keeping Random House head and shoulders above the rest.
10. Neil Hyndman – proving it is possible to make real money out of publishing.
11. The Agent – Ray Richards. Are there any others?

12. Tony Fisk – probably the smartest MD in NZ Publishing – why isn’t he Prime Minister?
13. The team at Craig Potton – Carrying the flag for quality small publishers after the disappearance of Godwit, Shoal Bay, Tandem, Longacre and Mallinson Rendell
14. Bill and Phil [Noble and King] University Booksellers Supreme
15. Publishers – The Magnificent Seven : Harriet Allan, Fergus Barrowman, Jane Connor, Sam Elworthy, Nicola Legat, Rachel Scott, Bridget Williams. Quality rules.
16. Elizabeth Knox : An author with a great depth and breadth of talent and a hard-won international reputation
17. Joan Mackenzie : Has it in her power to make a real difference for New Zealand Publishers. I am sure she will use it wisely

18. Maurice Gee: now why hasn’t he been knighted?
19. The bloggers: especially Rachel King, Vanda Symon, Chris Bourke, Auckland and Christchurch libraries. Oh alright – also that Beattie chap.
20. The readers – where would be without them?? 





Brian Phillips then responded as follows:
Hard to resist responding to this…
 Whilst I agree with most of Kauri Bookends’ selections I would venture to add afew more..
 In no particular order [as they say on the X factor] I would offer
 The two Fionas – Farrell(right) and Kidman(left). Wonderful women writing wonderful books
 Carole Beu – if all booksellers were as active and enthusiastic we would sellmore books….
 The retirees – especially David Elworthy, Ros Henry and Bob Ross. They may nolonger be involved in commercial publishing but all continue to do ‘bookish’things. Long may they flourish.
 The broadcasters – especially Kim Hill and a special mention for theincomparable Elizabeth Alley.
 Jill Ewing at Random House. This company is regularly voted Distributor of theyear by booksellers. Jill runs Random’s distribution. Enough said.
 Belinda Cooke at New Holland – quietly running a small but perfectly formedcompany.
 The third party book distributors – big and small – without them many smallerpublishers would have no cost-effective way of getting their books into themarketplace. As I am a naturalised Cantabrian special mention must go toNationwide Books at Oxford.
 Those who run Writers Festivals throughout the country. Love them all.
 Finlay Macdonald. Also Guy Somerset, Philip Matthews, Iain Sharp and DavidEggleton.
PS Who is the grumpy bugger in Timaru? Can't think of anyone who fits thatdescription... 



Today Old Timer has commented:
Kauri Bookend’s top twenty was an excellentcontribution.  Old Timer offers a commentor two.
There is a small clash between #four Lloyd Jones and # 18 Maurice Gee; another between # nine Karen Ferns and #12 Tony Fisk.
Publishers who have disappeared, add:  Avery, Bascands, Beckett Sterling, BentonRoss, Booker & Friend, Caxton, Dunmore, Millwood, Moa,Pacific/Whitcoulls.  Paul’s, Pegasus,Sweet &Maxwell – where have all the roses gone?
And Bookman Beattie has decided to have his pennethworth too:
Significant other players worthy of mention include:
Nielsen Book Scan - in spite of Whitcoulls attempt to scuttle their weekly statistics they continue to provide an invaluable service
Book Publicists - tireless workers, almost exclusively women, this blog would be a lesser place without them.
Book designers - designing books in NZ of world class standards
Bureaucrats running those key organisations - Lincoln Gould (Booksellers), Anne de Lautour (Publishers), Maggie Tarver (Authors) and Catriona Ferguson (Creative NZ).
Literary journals, especially but not only Sport and Landfall.
All those wonderful, informed indie booksellers out there, especially at my favourite weekend haunt. the Village Bookshop at Matakana.
Media book page editors especially Linda Herrick, Mark Broatch, Guy Somerset and Philip Mathews.
The Listener - widespread book coverage week in and week out.
Facebook & Twitter
The Guardian & The New York Times - daily book reviews and book news.
PW & The Bookseller - keeping the trade informed on both sides of the Atlantic and around the world
Martin Taylor - the man who led the push into digital publishing in NZ.
Anyone else got further nominees? Feel free to comment.











Neil Gaiman & Todd McFarlane Settle Decade-Long Dispute


By Dianna Dilworth on Galley Cat, January 31, 2012 

Fantasy authors Neil Gaiman and Todd McFarlane have settled their decade long dispute about who owns the copyright to Spawn characters that Gaiman created for McFarlane’s comic book in a guest appearance.
In 2002, Gaiman filed his first suit claiming that he co-owned Medieval Spawn, among other characters that he had created. In 2010, Gaiman won a suit in which a judge determined that he should be paid royalties.
The Daily News has more about the settlement: “Jeffrey Simmons, one of Gaiman’s attorneys, said terms of the agreement were confidential … ‘This is intended to put an end to the whole thing. It’s fair to say both parties are pleased to have this resolved,’ Simmons said.”

Barnes & Noble Stores Will Not Stock Books Published By Amazon


By Jason Boog on Galley Cat, January 31, 2012 

Barnes & Noble has decided not to stock books published by Amazon in their physical stores, keeping the new publisher out of the country’s largest network of brick and mortar bookstores.
Bloomberg Businessweek senior reporter Brad Stone called it “a declaration of war,” breaking the news with a statement from B&N’s chief merchandising officer, Jaime Carey. The bookseller will offer Amazon titles in their online store. Last week, Amazon revealed that Houghton Mifflin Harcourt will distribute print books from Amazon Publishing.
Check it out: “Our decision is based on Amazon’s continued push for exclusivity with publishers, agents and the authors they represent. These exclusives have prohibited us from offering certain eBooks to our customers. Their actions have undermined the industry as a whole and have prevented millions of customers from having access to content. It’s clear to us that Amazon has proven they would not be a good publishing partner to Barnes & Noble as they continue to pull content off the market for their own self interest.” (Via Sarah Weinman)

The Book: A Life Cycle - The Inaugural Symposium


for the Centre for theBook at Otago University

Thursday29 March 2012: Dunningham Room, Dunedin Public Library
7.00pm - Prof David Skegg – Opening address
7.20pm - "the old rag and bone shop" John Quilter, Quilter’sBooks, Wellington
Friday30 March 2012: Barclay Theatre, Otago Museum
9.00:Introduction/Opening
DrShef Rogers (English) *this session may alter if Prof. Howsam is here.
9.30:Futures of the Book
HowardAmos (University Librarian)
DrErika Pearson (Media and Communication)
PenelopeTodd (Rosa Mira Books)
10.30– coffee break
11.00-12.00:Research Potentials in Print Culture
Prof.Tony Ballantyne (History) – ‘Print and writinghistories of colonialism’
AnthonyTedeschi (Rare Books, Dunedin Public) 
DrLachy Paterson (Te Tumu)- ‘Indigenous Texts,Indigenous Histories’
12.00–1.00 Lunch
1.00–3.30: Life Cycle of the Book
Author- Vanda Symon (Independent writer)
Design– Ralph Lawrence (Independent Designer)
Publisher– Barbara Larson (ex-Longacre; Commission editor for Random House)
Sales– Bronwyn Wylie-Gibb (UBS)
Survival– Sharon Dell (Hocken Library)
3.30– afternoon tea break
4.00– 5.00: Issues & Wrap Up
Prof.Helen Leach – The Non-conformist Cookbook
DrRoger Collins – Revisiting Louis-Auguste de Sainson: Bibliography, Bibliophilyand Biography
NoelWaite, Dunedin City of Literature – The State of the Play?
DonaldKerr/Shef Rogers
Registration for the full day is $25 (waged); $10 (unwaged).
To register e-mail books@otago.ac.nz for an electronic registration form.

Time Out Bookstore in Auckland's Mt.Eden features on Localist.


There’s nothing quite so magical as a bookstore; the smell of print, the promise of fresh new worlds between crisp white pages.
Sadly, the future of bookstores is becoming precarious. With the advent of Amazon and internet shopping, and E-readers like Kindle, the little local bookstore is somewhat of an endangered species.
Luckily for bibliophiles like me, there are some well-loved little stores that are bucking the trend.
Time Out Bookstore in Mt Eden village is one such store. Opening in 1988, it has a well-deserved reputation as one of the best bookstores in the country. It has a huge range of literary fiction, a wonderful kid’s section, and a mind-boggling, eclectic range of non-fiction, with everything from architecture and sport, to travel and religion.
But best of all, it has a cat.
The first Time Out cat, Oscar, was somewhat of a local identity in Mt Eden. He was a big Burmese, who lived the life of Riley, was generally adored and pampered by shoppers and staff, and often seen lounging in the shop window, attempting to lure in passing punters.
Sadly Oscar died recently, but a new kitty, the lovely Lucinda, has taken his place as the store mascot.
The staff at Time Out are great. They are all super friendly and knowledgeable. Their recommendations are spot on – they’ve introduced me to many great authors over the years.
They keep up-to-date with all the international trends in the book world, and make sure they stock all the award-winners as soon as they’re announced. If something is out of stock, they’ll order it in for you.
They are open 12 hours a day (9am-9pm), seven days a week, which is great if you’re in the village waiting for a takeaways, or for a mate to turn up for a drink.
If you’re a book lover, put this on the top of your list of shops to visit, and make a night of it in Mt Eden. What could be better than book shopping followed by a dinner and a drink at one of village’s great eateries?


Time Out Bookstore

432 Mt Eden Rd, Mt Eden Village, Auckland
email books@timeout.co.nz
Ph/fax +649 630 3331 Open 9am - 9pm, 7 days


Writers & Readers Week at the Fesival - MEET THE BEST IN LOCAL LITERARY TALENT




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Joining some great voices in contemporary literature from around the globe will be our own outstanding selection of local writers. New Zealand's first poet laureate Bill Manhire will search out exciting new poetic voices; Patrick Evans will delve into the imagined world of Janet Frame and Frank Sargeson; and join with fellow Christchurch writers Fiona Farrell and Jane Higgins for Christchurch Quakes: Changing Everything - a poignant session on writing and living through the Christchurch quakes. Also featured are some of our best emerging writers: Eleanor Catton, Hamish Clayton and Craig Cliff.

Photo above - Patrick Evans, Fiona Farrell and Jane Higgins are part of a stellar line-up of Kiwi writers.

B&N expands international content team


31.01.12 | Philip Jones - The Bookseller

Barnes & Noble has grown its international content team, as the US bookseller seeks to establish further relationships with overseas publishers.
According to Publishers Marketplace, Emily Williams has joined Barnes & Noble as international content manager for digital products, reporting to Patricia Arancibia, who was recently promoted to director, editorial & publisher relations for international content. Williams was most recently digital content producer for Publishers Marketplace.
Barnes & Noble is looking to take its digital e-reader the Nook overseas and its reportedly close to revealing a deal to sell the device through Waterstones in the UK. It has also been growing its overseas content and non-English-language content for sale in the US through deals with foreign publishers. The New York Times reported over the weekend that B&N was working on a fifth iteration of its Nook device, with the new model expected to be unveiled in the spring.

What Do You Love About Your Dialogue?


Posted by - mooderino


The general advice about writing dialogue tends to follow the same basic precepts. Conflict, goals, move the plot forward, don’t waste time with chit-chat, etc. That is certainly all useful stuff and will help keep the story moving.
But there’s more to dialogue than just getting across information.
People loves great dialogue. In books, in plays, in movies. In real life. Sparkling conversation holds the attention, even when it has nothing to do with anything. People like hearing it. It’s enjoyable to read. But it’s very difficult to write.

Sometimes, a memorable line is designed to be so. Everything builds up to it. A character gets teed up to say the thing that will define the rest of their life, and wham: Frankly my dear, I don’t give a damn. Beautiful. AFI’s most memorable quote of all time.
Sometimes, though, it is not quite as clear why a line enters the collective consciousness. These aren’t the droids you’re looking for. Who would have thought that would be the most enduring line from Star Wars?
Which is the thing about dialogue. It’s all about the context.
It is entirely possible to have a bunch of people gathered together just chatting, and for it to be entertaining. But those writers who excel at that sort of thing, whether it be Tarantino or Oscar Wilde, do more than just collect a bunch of witty epigrams.

The Girl with the Dragon Tattoo cancelled in India

Oscar-nominated thriller withdrawn from release in India after director David Fincher refuses to cut 'unsuitable' sex scene
Cancelled in India … Daniel Craig and Rooney Mara in The Girl With the Dragon Tattoo. Photograph: Sportsphoto Ltd/Allstar

Oscar-nominated crime thriller The Girl with the Dragon Tattoo will not be shown in India after director David Fincher refused to cut scenes depicting rape and sexual intercourse.

India's Central Board of Film Certification had insisted five scenes be excised, including two in which actors Daniel Craig and Rooney Mara make love and another in which Mara's character Lisbeth Salander is raped by her legal guardian, the Wrap reports. Fincher refused to make changes to his film, and Sony Pictures abandoned plans for a 10 February release.

"Sony Pictures will not be releasing The Girl with the Dragon Tattoo in India," read a statement from the company's Mumbai office. "The censor board has judged the film unsuitable for public viewing in its unaltered form and, while we are committed to maintaining and protecting the vision of the director, we will, as always, respect the guidelines set by the board."

The Girl with the Dragon Tattoo, the second adaptation of the first book in Stieg Larsson's Millennium trilogy, has not been an enormous box-office hit but picked up five Oscar nominations last week and is well on its way to a $200m global haul against a budget of $90m. Despite predictions to the contrary, production on the sequel, The Girl Who Played with Fire, is reportedly under way, with Mara and Craig set to return.
  1. The Girl With the Dragon Tattoo (US)
  2. Production year: 2011
  3. Countries: Rest of the world, USA
  4. Cert (UK): 18
  5. Runtime: 152 mins
  6. Directors: David Fincher, Niels Arden Oplev
  7. Cast: Christopher Plummer, Daniel Craig, Joely Richardson, Lena Endre, Michael Nyqvist, Noomi Rapace, Peter Haber, Robin Wright, Rooney Mara, Stellan Skarsgard, Steven Berkoff, Sven-Bertil Taube, Yorick van Wageningen
  8. More on this film

A Most Optimistic Unconference: Publishers, Libraries, and Independent Bookstores at Digital Book World 2012


January 29, 2012 By


dbw12logo A Most Optimistic Unconference: Publishers, Libraries, and Independent Bookstores at Digital Book World 2012If you’re lucky, at every conference there’s a revealing unconference going on inside of it. This was very much the case with Digital Book World 2012, which drew the usual cliques of publishers, authors, agents, entrepreneurs, editors, and marketers last week to New York. As at the 2011 show, keynotes, studies, and panels about international markets, metadata, ebooks, and DRM attracted large audiences. Amazon and Barnes & Noble reaffirmed their power (and rivalry) as manufacturers of dedicated e-readers and quasi-discovery centers and publishers.
Yet I sensed a markedly different psychology among the Big Six suits that has thus far gone unreported and wasn’t spoken of out loud near me during the show. Although a bit crooked-shouldered after suffering another year of disintermediation beatings by Kindle, these professionals are seeing straighter—and farther down the workflow. The damaging fear-induced myopia that took over publishing with the rise of ebooks in 2009 seems to be waning.
Four, even two years ago, dropping the term ecosystem was not a cool thing to do in the rarified corners of the culture business, the equivalent of conjuring a dirty hippie genie at a cocktail party. At Digital Book World, however, I heard more than one CEO use it, along with independent booksellers, it must be noted. The word, of course, encapsulates what librarians and library advocates have long argued for in the digital wars—capitalism that supports anyone with a stake in information and encourages fluid tiers of access. Or, if you will, a most beatific “United Nations of Reading,” to quote Eric Hellman, who was inspired last fall by Brian O’Leary’s excellent Books in Browers presentation, “The Opportunity in Abundance.”
Forget the supreme logic of leveraging your partners, or even your supposed competitors when you are dependent on the whims of a relatively small consumer base. The all-important data to buy into a new, bigger picture is compelling. At Digital Book World, Verso Media presented the findings of its 2011 Survey of Book-Buying Behavior. It reported that there are 70 million “avid book-buyers” in America and that they exhibit “split purchasing behavior.” In other words, they patronize online retailers, chain bricks-and-mortars, and local independent bookstores. This finding led the Verso team to recommend that publishers maintain and nurture “a diversified retail ecosystem [emphasis added]…because it mirrors consumers’ preferences.”
Attendees did not talk up libraries as a bona fide sales channel, despite OverDrive’s laudable efforts last summer to convert library catalog browsing to sales, and that’s fine by me because libraries serve a much more valuable function. The buzz word of Digital Book World 2012, discovery is being vaunted as that crucial bit of foreplay in the reader-book relationship (sorry, new metaphor). As communion cannot happen without a meeting ground, authorities ranging from Oren Teicher, CEO of the American Booksellers Association, to Ruth Liebmann, Random House VP director of account marketing, stressed the inestimable worth of a physical space for encountering just the right bit of textual stimulation.
Read Heather's full piece at Library Journal.

One takeaway from Digital Book World that is not to be missed


The Shatzkin Files

Posted by Mike Shatzkin on January 30, 2012


I think just about everybody has fun at Digital Book World, but it is hard to have more fun there than I do. It’s damn near a year of work coming together over a couple of days with dozens of smart speakers making me personally look good for putting them on the program. So they work hard and satisfy the audience and I get congratulated. What could be better (for me) than that?
(OK, I did do a little bit of work. Besides emceeing the show and co-hosting the final panel, I delivered opening remarks trying to set the stage.)
There were a lot of great takeaways this year. Perhaps the biggest news was the final presentation before the wrap-up panel Michael Cader and I hosted. That was by Matteo Berlucchi, the CEO of Anobii, a UK-based ebook retailer that has substantial investment from Penguin, Random House, and HarperCollins. Matteo didn’t exactly “call for the end” of DRM, but he certainly described a better world without it. And the main point he made was, “I want to sell to Kindle customers and the only way I can do that is if we get rid of DRM.” The combination of the message and the messenger made this the most newsworthy presentation of the show, I thought.
But the factoid that most grabbed me was delivered on the previous day as part of the data developed by AllRomanceebooks.com about the romance readers market. Very superficially, the point being made was also about DRM, but that’s actually a distraction. There was a much larger point buried within.
All Romance is a specialized ebook retailer. To serve the romance reader community more effectively, they’ve built out the BISAC taxonomy for romance, adding more categories. And they’ve added a metadata element called “flames” which basically measure the frequency and explicitness of the sex scenes in any particular book.
The romance world, particularly among the cognescenti in it, is a very anti-DRM environment. And an outfit like All Romance, which has no “device lock-in” working for them — essentially everything they sell gets “side-loaded” somehow, and DRM can often make that more challenging — is right in step with their community sentiment. So the survey contained questions trying to get at the audience attitude about DRM.
There were two relevant stats that I recall. One is that only about 20% of even All Romance’s readers really resist books with DRM. That is to say: 80% don’t. But the factoid that grabbed me is that 96% (that’s not a typo: ninety-six percent) of the ebooks they sell do not have DRM.
All Romance also reports that 91% of the titles they have available are protected by DRM. That makes sense, since all the titles from all the Big Six publishers and all the titles from Harlequin except those from their new digital-first imprint, Carina, have DRM.
What this means is that the nine percent of All Romance’s offerings that do not have DRM are selling 96% of their units overall. And since only 20% of their customers find DRM as a strong deterrent to sales, that means those fledglings are outselling all the majors for other reasons.
This provokes two very important lines of inquiry to me, and neither of them have anything to do with DRM.
The first one would be top of mind to me if I were a major publisher. What are these books that are selling like hotcakes? Why are these books selling like hotcakes? Why can’t we publish these books that are selling like hotcakes?
Read the rest of Mike Shatzkin's File here.

Toshiba outlines e-book ambitions


Toshiba, which will launch its first dedicated digital reader on 10th February, is aiming to be Japan’s biggest retailer of e-books by the spring.
Adding the colour LCD screened, Android-based BookPlace DB50 to its existing tablet line-up is aimed at bringing more readers to its expanding Bookplace e-book store which Toshiba has said it will beef up with over 100,000 titles by the end of March.
“We now have about 50,000 publications available that include books, magazines and comics,” a Toshiba spokeswoman told The Bookseller, although what percentage of that number is comprised of books was not disclosed. “But we plan to have 100,000 online by March.”
Even if such a target is reached, however, the figure underlines how poorly developed Japan’s e-book trade is, according to Tokyo-based publisher Robin Birtle. “Even though Toshiba have partnered with Booklive, one of the larger Japanese e-Bookstores, DB50 owners will be underwhelmed by their content choice,” he said.
Booklive is a unit of the Japanese printing giant Toppan.
Although late to the crowded tablet and e-reader market in Japan, Toshiba is anticipating the launch of the Kindle Fire, expected for the first time in Japan later this year. Priced at 22,000 yen the DB50 costs and dimensions are comparable.
The hand-sized Toshiba tablet is aimed at commuters who often have to stand on crowded trains reading with one hand.
Analysts do not see the new offering standing up to the appeal of a similar sized Kindle Fire, which unlike the Toshiba reader comes with non-glare, e-ink, when the Kindle finally does reach Japan.
“Toshiba has missed the boat on this one,” said publishing analyst Rob MacGregor at Tokyo-based Strategy Core. “The launch is 2-3 years too late. It has its appeals but the appetite for black and white e-ink based readers proves you don’t need a full-colour screen.”
At its launch in Tokyo, Toshiba suggested the new e-reader might be also sold abroad. The Toshiba spokeswoman confirmed this but declined to discuss such possibilities further.
Books that are available already through Toshiba’s Bookplace store include bestsellers such as the Steve Jobs biography from Kodansha priced at 2,000 yen. More typical Japanese authored books, particularly manga, are selling on the store for under 1,000 yen each.


Harlequin Acquires Heartsong Presents

PW - January, 30, 2012


Harlequin has acquired the book club assets of Heartsong Presents Book Club, the inspiration book club owned by the Christian publisher Barbour Publishing. Heartsong Presents provides its members with four Christian romance novels a month, with a focus on inspiration, hope and faith, written by leading inspirational authors.
"We are thrilled to add Heartsong Presents to our portfolio," said Donna Hayes, publisher and CEO, Harlequin. "Our subscribers trust us to provide compelling stories that are delivered to their doorstep monthly. The Heartsong Presents editorial dovetails perfectly with that of Harlequin -- women's fiction and inspirational publishing -- making it a natural fit." 

Estimate Puts Kindle Fire Sales at 6 Million

PW - Jan.30, 2012

With Amazon set to release its fourth quarter—and year end—results Tuesday afternoon Stifel Nicolas analyst Jordan Rohan estimates that the company sold 6 million Kindle Fire tablets in the fourth quarter. Rohan had previously put the number sold at 5 million units.
Rohan believes the strong performance of the Fire will provide Amazon with ongoing benefits by increasing the amount of content, including e-books, that new Fire owners will buy.
As a result he has upped his revenue forecast for 2012 by over $2 billion to a total of $67 billion. And while Amazon is making no money on the Fire, Rohan notes that as more customers buy digital content, Amazon’s margins could improve because of lower shipping costs.

Siri Doesn’t Do Scottish


Oli Scarff / Getty Images

Siri Doesn’t Do ScottishSiri and Scotland are separated by a common language. The debut of Siri, Apple’s new virtual assistant, gave rise to a meme as excited customers tested out the new voice-recognition software. Except in Scotland, where the assistant appears unable to understand the Scottish brogue. A puzzled Siri responds to “What's the weather like today?” with “What's available in Labor Day?” Another request to “create a reminder” is greeted with a straight “I don’t understand,” and finally “I don't know what you mean” by “create Alamain.” Nevertheless, the new iPhone has sold well in Scotland.
Read it at The Los Angeles Times   (Via The Daily Beast)
January 31, 2012 

The Snow Child - an excited first-time author reports


I have so much to tell you, I hardly know how to start this letter.
I want to tell you how wonderful the staff and readers are at Tattered Cover in downtown Denver, where I participated in my first official author reading and book signing. I want to tell you how heart-warming it is to be surrounded by talented authors, kind book lovers, a beautiful bookstore. I even had my uncle at my side as I signed copies of The Snow Child! It is a day I will never forget.
But I also want to tell you how much I’ve appreciated your emails, messages and tweets telling me where you have spotted The Snow Child. Here are just a few places where there have been “Snow Child sightings.”
  • Buffalo, New York
  • Hawaii
  • The Costco Connection magazine that goes out to Costco members and featured an interview with me and a review of The Snow Child this month.
  • New Mexico
  • Delaware
  • Barnes & Noble in Baltimore, Maryland
  • Kodiak, Alaska
  • Olympia, Washington
  • Florida
  • Laramie, Wyoming
  • Powell’s Bookstore in Oregon
  • Pittsburg, Kansas
  • South Hadley, Massachusetts at the Odyssey Bookshop
  • Lansing, Michigan
  • Reno, Nevada
  • Oprah Magazine, February issue, Page 111 (I had to see it to believe it.)
  • Northwest Book Lovers blog
  • Idaho
  • Chicago
  • Pennsylvania
  • Prairie Lights Bookstore in Iowa City
  • Rome, Italy
  • Ireland
  • Corsica
  • Flagstaff, Arizona Barnes & Noble
  • Jerusalem
  • Boyd Farm in Palmer, Alaska
It’s simply amazing!

Read more at Eowyn's blog - Letters from Alaska
And have a look at her website too.

Supporters of Menlo Park Store Formalize As Kepler's 2020 Project


PublishersLunch
Efforts to stabilize, preserve and redefineKepler's Books in Menlo Park, CA that we covered in January have taken shapeinto a formal Kepler's 2020 initiative, announced via press release and at thestore's web site. "The project aims to create an innovative hybridbusiness model that includes a for-profit, community-owned-and-operatedbookstore, and a nonprofit organization that will feature on-stage authorinterviews, lectures by leading intellectuals, educational workshops and otherliterary and cultural events."
As noted previously, entrepreneur PraveenMadan is leading "a volunteer transition team [that] has begun work on acomprehensive development, financial and operational plan" for the store.Among the initiatives they are considering are: POD, "an e-book friendlyin-store browsing experience; concierge services to provide 'literarymatchmaking' for customers, book swaps and other innovative programs to bringpeople of all ages together around their shared love of books; and a speaker’sbureau with readership development services for emerging authors." Theyare launching a new capital campaign this month to raise $100,000 to supportongoing operations at the store.
Release

Combining the Television and Publishing Mindset


Publishing Perspectives
"We don't have editors," says Michael Fabiano, head of recentlylaunched NBC Publishing, "we have producers, and that's an importantdistinction."
Read here.


DISCUSSION:
AreReports of the Death of the Book App Premature?
Publishers say book apps "cost too much to produce." Of course theydo, after all, they are publishing companies, not production companies. 

Poem of the week: Francesca of Rimini by Lord Byron


This fascinating translation of Dante was intended to be faithful, but presents its English reading in a distinctly Byronic fashion

 - guardian.co.uk, Lord Byron
Lord Byron, as pictured in a copy of a portrait by by Thomas Phillips. Photograph: Bettmann/Corbis

Lord Byron, described by EH Coleridge as "de facto if not de jure a naturalised Italian", was at pains to produce a faithful translation ("word for word and line for line") in his excerpt from Canto five of Dante's Inferno. The translation, "Francesca of Rimini", is this week's poem, but if it leads you back to the magnificent original, all the better.

Byron's work on Canto five, and his other Italian literary projects, were inspired by his young mistress, the Countess Teresa Guiccioli. Like Francesca, Teresa was a native of Ravenna, bound in a marriage of convenience to an undesirable husband, and illicitly in love. As for Paolo and Francesca, shared reading was an erotic spur to the relationship between Byron and Guiccioli.

Matthew Reynolds, in his recent fascinating study, The Poetry of Translation: From Chaucer and Petrarch to Homer and Logue, points out the connection between Byron's desire to be faithful to his girlfriend and to Dante. It's one of several intriguing connections. Dante's text (one Byron had, of course, previously visited in the first Canto of Don Juan) now offered to embody a far more personal and un-ironical story. It would permit impassioned self-disclosure, not only through the persona of Francesca, but through Dante's own ambivalent commentary.

For all his aspiration to fidelity, Byron cuts Dante's exposition altogether, so we lose the stunning imagery of the second circle of hell, with its whirling, lightless storm-winds buffeting like helpless birds the souls of those who, in life, could not control their lust. He even omits the first stanzas of Francesca's speech. The rhyming is usually deft, but the syntax often pays the price in convolution. The sentence in lines 7/8 (more simply translated as "Love, that excepts no one beloved from loving") is painfully inverted and suffers an awkward line-break. The repetitions of "yet" (line nine) suggest metrical padding as much as rhetorical intensity.

The tougher, sharper sounds of Byron's translation are not simply the result of the different sonorities of English, or the scarcity of feminine endings. They are related to interpretation. Byron, for example, hardens Dante's "doloroso passo" to "evil fortune": Dante's "desio" becomes the more emphatic "strong ecstacies" (the adjective "strong" occurs twice in a fairly short space of time). In Dante's text, Francesca names dispassionately the author/book responsible for the lovers' fall: "Galeotto was the book and he who wrote it." Byron omits Galeotto and substitutes, "Accurséd was the book and he who wrote it." Later, in the penultimate line, "smote" seems needlessly fierce. Even when Francesca talks, the poem has a forceful and slightly masculine tone.

Byron is an immense poet, combining the best of Augustan wit and intellect with the best of sensuously and politically charged Romanticism. For me, he is by far the outstanding Romantic, and he is as readable and relevant today as ever. The flaws in "Francesca of Rimini" do not diminish him. This is an occasional poem, as well as a translation, and it's foolish to demand that it be comparable with his original poetry, lyric or epic. However, the work is extremely interesting for the light it throws on poetry-translation itself, and the complexity of the relationships involved. A translation is never less than a transformation – and it may be, for the translator, self-revelation.

Taking the rough with the smooth, the reader can enjoy "Francesca of Rimini" as a poem in its own right. The personal touches – the infidelities, if you like – are not slips, but planned insurgencies, and part of the poem's tough vitality. And when Byron risks using feminine endings (surely associated in his mind with comedy and irony) there is pleasure for the ear, as well as a little humour ("the long-sighed-for smile of her"). The concluding lines have a sense of dramatic fatality that is hard to resist. Even the harsh "smote" earns its place by contributing to the rich alliterative music.

Francesca of Rimini
"The Land where I was born sits by the Seas
Upon that shore to which the Po descends,
With all his followers, in search of peace.
Love, which the gentle heart soon apprehends,
Seized him for the fair person which was ta'en
From me, and me even yet the mode offends.
Love, who to none beloved to love again
Remits, seized me with wish to please, so strong,
That, as thou see'st, yet, yet it doth remain.
Love to one death conducted us along,
But Caina waits for him our life who ended:"
These were the accents uttered by her tongue.—
Since I first listened to these Souls offended,
I bowed my visage, and so kept it till—
'What think'st thou?' said the bard; when I unbended,
And recommenced: 'Alas! unto such ill
How many sweet thoughts, what strong ecstacies,
Led these their evil fortune to fulfill!'
And then I turned unto their side my eyes,
And said, 'Francesca, thy sad destinies
Have made me sorrow till the tears arise.
But tell me, in the Season of sweet sighs,
By what and how thy Love to Passion rose,
So as his dim desires to recognize?'
Then she to me: 'The greatest of all woes
Is to remind us of our happy days
In misery, and that thy teacher knows.
But if to learn our Passion's first root preys
Upon thy spirit with such Sympathy,
I will do even as he who weeps and says.
We read one day for pastime, seated nigh,
Of Lancilot, how Love enchained him too.
We were alone, quite unsuspiciously.
But oft our eyes met, and our Cheeks in hue
All o'er discoloured by that reading were;
But one point only wholly us o'erthrew;
When we read the long-sighed-for smile of her,
To be thus kissed by such devoted lover,
He, who from me can be divided ne'er,
Kissed my mouth, trembling in the act all over:
Accurséd was the book and he who wrote!
That day no further leaf we did uncover.'
While thus one Spirit told us of their lot,
The other wept, so that with Pity's thralls
I swooned, as if by Death I had been smote,
And fell down even as a dead body falls."

March 20, 1820.

A New Honor for the Hatchet Job


By JOHN WILLIAMS, New York Times

“A good hatchet job draws as much excited attention as a good book any day.” That’s the late, great critic Wilfrid Sheed, from a 1964 piece in which he laid out six rules reviewers should follow for “smoother, more satisfying demolitions.” On Feb. 7, The Omnivore, a British Web site that aggregates cultural criticism, will announce the winner of its first annual Hatchet Job of the Year Award for book reviews. Links to all eight finalists can be found here.
The Omnivore calls the new prize “a crusade against dullness, deference and lazy thinking.” This has the potential to be a crackling addition to the literary calendar, but the inaugural nominees are not a particularly vicious bunch. Some even err on the side of fair-mindedness, an unforgivable sin in this arena. Better to give in to hysteria, as Mark Twain did when he wrote to someone about Jane Austen: “Every time I read ‘Pride and Prejudice’ I want to dig her up and hit her over the skull with her own shin-bone.”
So how do the contestants stack up by the lights of Mr. Sheed’s guidelines? His first rule: “Hatchet jobs should never run an inch longer than the victim merits. Three sentences are always better than twelve — the length being in itself a form of comment. The critic who goes on swinging after the tree is down draws attention to himself; he becomes overexposed. After all, perhaps he isn’t such a hot writer either.” Mr. Sheed acknowledged that the second rule — to avoid too many “short aphoristic dismissals unless your taste in them is absolutely infallible” — was the “complete opposite” of the first. “The contradictoriness of these first two rules may serve as a warning,” he wrote. “Hatcheting is not as easy as it looks.”
Seven of the eight nominees for The Omnivore’s honor appeared in daily newspapers, and none take up enough space to outstay their welcome. As for aphorisms, the lack of quotable punchiness is notable, with rare exceptions — like Leo Robson’s line about the author of a Martin Amis biography: “Richard Bradford considers himself the man for the job, but I doubt that anyone else will.”
In his third commandment, Mr. Sheed wrote, “Almost any quoted matter, encapsulated in sneers, will do,” but he modified that with the fourth: “On the other hand, two or three short quotes, however well chosen, are barely enough. A make-believe massacre requires an appearance, at least, of massive forces.” Lachlan Mackinnon’s review of Geoffrey Hill’s “Clavics,” a poetry collection, earned its nomination entirely in its last paragraph, by referring to the book as “the sheerest twaddle,” and by sticking its landing: “Writing this bad cannot earn the kind of attention Hill demands; he is wasting his time and trying to waste ours.” But at little more than 500 otherwise tepid words, it lacks the shock-and-awe approach of a massacre.
Full piece at the New York Times.

Senin, 30 Januari 2012

Rage against the machines

Anthony McCarten. Photo / Supplied

NZ Herald -  Saturday Jan 28, 2012 - Stephen Jewell

Left - Anthony McCarten. 

AnthonyMcCarten didn't intend to write a follow-up to his novel Death of aSuperhero when he embarked upon his latest work, In the Absence of Heroes. But after coming up with the premise for a story involving a triangleof characters, it dawned on the Gloucestershire-based New Zealander that he hadalready created three ideal protagonists in the shape of Jim and Renata Delpeand their elder son, Jeffrey. Set some time after the death of the Delpes'youngest son, Donald, In the Absence of Heroes finds the trio retreating into their ownseparate computer-generated fantasy worlds as they struggle to come to termswith his premature passing.
"I originally came up with anentirely independent idea that ostensibly required a father, a wife and ason," recalls McCarten, 51. "Then I realised I had already inventedthem in the last book so I thought I would try and see if I could marry the twotogether and it was a natural fit. It added so much more because I couldexplore aspects not covered in the first novel, which was pretty preoccupiedwith its central character.
"I knew they were a family that wasn't connecting with each otheras they had been cast into a state of grief and isolation from each other inthe aftermath of Donald's death. It was the perfect setting to justify thisdisconnect between all the characters."

Death of a Superhero saw terminally ill Donald delving intothe testosterone-fuelled world of comic books. This time, the internet andonline role-playing games initially provide 18-year-old Jeff and his father,Jim, with some solace in In the Absence of Heroes.
"One of the pleasures of writing both books was being able to playwith different ways to tell a story," says McCarten. "I stumbled uponthis journey with Superhero, where I couldalmost jump tracks in the narrative across to another level of reality butstill pursue it as a story with allegorical meanings. The reader would imputewhat I was trying to get at and then jump back to the main story. Thatbinarism, which I've been interested in playing with as a narrative device, ishopefully even more fitting in this book, which is about computers and whatthey're doing to our own lives."
According to McCarten, the internet has had a detrimental impact on ourlives. "I'm not a computer game person but I'm really interested in thehold it has on popular culture," he says. "If you go into my localBlockbuster, you used to be faced with a wall of new movie releases but it'snow almost entirely given over to computer games while movies have beenghettoised to the back corner."
As the father of two teenage sons, McCarten worries about the wideninggap between the generations. "I'm very aware of the changing face offamily and the shift in parental roles that's going on. In the old days, yourkids would go and play in the playground, but now they're disappearing wheneverthey've got an internet connection into games of mass murder.
"What's the long-term significance of this going to be? Kids havealways played with guns, but the veracity of these games and the fact youbecome so immersed in them is disturbing, and the simulation of killing andbeing killed is incredibly realistic."
But the net is all around us, as McCarten demonstrates during ourmeeting at a Notting Hill brasserie by pulling out his iPhone to check hisemails. "It's like a tidal wave," he laughs. "It's taken outevery village and we're all drowning in it. It's now considered sociallyaggressive if you're not connected; that there must be something wrong with youif you don't have a smartphone, an email address or a Facebook account. We'reall being dragged under by this tsunami."

Sr Citizen by Charles Olsen

Charles Olsen was born 1969 in Nelson, New Zealand. He then lived in England for many years before moving to Madrid in Spain in 2003, where he lives now.

He is a talented painter and poet and Sr Citizen, an attractive and appealing slender volume, is his first collection to be published . It features both his poetry and art.
Most of the poems are written in Spanish and have English translations.
You can read his poetry at pensamientoslentos.blogspot.

And for bio info go here - http://www.artreview.com/profile/CharlesOlsen

How To Read Poetry

http://www.youtube.com/watch?v=EqlPKnPTz7s&feature=youtu.be


Not to be taken seriously !


Outstanding Australian cook book publishers

I reckon the Aussies publish the world's best cookbooks and leading the way are three book publishers who are hugely impressive in this field. There are others too of course but these guys are the trend setters. I refer of course to Hardie Grant Books, Lantern and Murdoch Books.
To illustrate my point I am looking today at three books currently on the dining room table, all from Hardie Grant Books.
They are Four Seasons - A Year of Italian Good by Manuela Darling-Gansser which I wrote about late last year when it was published.

And then the two that arrived just as I was heading off for the Christmas holidays, both large, spectacular and totally captivating.


 MARQUE - a culinary adventure by Mark Best and Pasi Petanen
and
The Complete Asian Cookbook by Charmaine Solomon


MARQUE - a culinary adventure
Way back in 2000 Annie and I were fortunate enough to be warmly  recommended this restaurant by some NSW friends so we made a booking (from New Zealand) and bowled along on one of our three nights in Sydney. Even then in its first year of operation bookings were heavy and the only time we could get in was at 6.30pm. A bit early but it was Hobson's Choice. What a wonderful experience it turned out to be even though the location was then in the rather down-at-heel suburb of Surry Hills. There has been much gentrification since!
Mark's wife Valerie was the host and when she found out that one of our main reasons for visiting Sydney was to eat at Marque she sat with us at our table a couple of times and we learned about the opening of the restaurant and how it was going. Then towards the end of our wonderful meal Mark emerged from the kitchen and we had a pleasant chat with him for a few minutes before he was called back.
We have never forgotten that experience and have been back twice in the intervening years although didn't make contact with Valerie or Mark on those visits.We are planning a winter visit to Sydney this year so I'll be calling them in advance to make another booking.
So you can imagine my delight when Mark's cookbook turned up.
Marque is a highly illustrated, contemporary recipe book, celebrating and reflecting on Marque, this highly succesful Sydney restaurant. Also included is the personal journey of chef and owner Mark Best and approximately 80 of Marque's signature recipes. Most are complete dishes but the book also contains a myriad of smaller recipes and techniques which are the backbone of Mark Best's creations. A stunning book to treasure as both a compilation of beautiful recipes and a record of one of the world's best restaurants. And for me a special souvenir.
I should add that Marque is one of only four Australian restaurants to make the coveted top 100 in the San Pellegrino World's Best Restaurant award.  RRP $79.99

The Complete Asian Cookbook
Charmaine Solomon - $59.99


This is a completely revised and updated edition of Charmaine Solomon's influential and iconic book of the same title first published 36 years ago back in 1976.And what a handsome new edition it is - a big beauty I would call it.
It covers more than 800 classic and contemporary dishes from fifteen countries - India, Pakistan, Sri Lanka, Indonesia, Malaysia, Singapore, Burma, Thailand, Cambodia, Laos, Vietnam, The Philippines, China, Korea and Japan.
Written with the home cook in mind, Charmaine's recipes are straightforward, simple to follow and work every time. Recipe and chapter introductions give valuable information about how local dishes are prepared and served, while the comprehensive glossary explains unfamiliar ingredients (which are steadily more commonplace in supermarkets today). The Complete Asian Cookbook is a book that should be in the kitchens of every household.

And here are a couple of recipes from this wonderful book for you to try reproduced here by kind permission of the publisher:

URAP
Cooked vegetables with coconut
Serves: 4–6
½ teaspoon dried shrimp paste
65 g (1 cup) freshly grated coconut or 90 g (1 cup)desiccated
coconut soaked in 2 tablespoon hot water
1 small onion, finely chopped
½ teaspoon sambal ulek (page 250) or chilli powder
1 teaspoon salt
2 tablespoons lemon juice
250 g (2 cups) sliced green beans
4 carrots, cut into thin strips
230 g (2 cups) fresh bean sprouts, trimmed
½ small cabbage, sliced
1 tinned bamboo shoot, thinly sliced
Wrap the shrimp paste in foil and roastunder a preheated
griller (broiler) for 5 minutes,turning once. Unwrap the
shrimp paste and place in a bowl alongwith the coconut, onion,
sambal ulek, salt and lemon juice,stirring well to combine.
Put all of the vegetables in a steamerbasket and pour the
coconut mixture over the top, reservingsome to use as a
garnish. Steam the vegetables for 5–8minutes, then turn
out onto a serving dish and sprinklewith the reserved
coconut mixture. Use as anaccompaniment or as a salad
in its own right.

KAUKSWE KYAW
Mixed fried noodles with chicken
Serves:6
500 g egg noodles
125 ml (½ cup) oil
4–5 dried shiitake mushrooms
5 onions, chopped
5 garlic cloves, chopped
500 g chicken breast fillets orthighs, thinly sliced
1 chicken liver, thinly sliced
1 chicken gizzard, parboiled,thinly sliced
2 tablespoons light soy sauce
½ cabbage, shredded
¼ white Chinese cabbage (wongbok), shredded
2 celery sticks, finely chopped
6 spring onions, thinly sliced
4 eggs, lightly beaten
Cook the noodles accordingto the packet instructions, then
drain well. Spread thenoodles on a large dish or tray. Pour
2 tablespoons of the oilover the top and toss gently to coat —
this stops the noodlessticking to each other.
Soak the mushrooms in hotwater for 20–30 minutes, then
drain, cut off and discardthe stems and thinly slice the caps.
Heat the remaining oil in awok or large heavy-based frying
pan over medium heat. Addthe onion and garlic and cook
until soft. Add the chickenmeat, liver and gizzard and stir-fry
until lightly brown on allsides, then add the soy sauce,
cover, and simmer gentlyuntil the meat is tender. Add the
cabbages, celery, mushroomand spring onion and continue
to stir-fry until thevegetables are tender. Remove from the
wok and set aside.
Put the noodles in the wokand toss gently for 3 minutes,
then remove. In the samewok, scramble the egg, adding a little
oil if necessary. Seasonwith salt and freshly ground black
pepper, to taste. When readyto serve, spread the noodles in a
serving dish, then coverwith the meat and vegetables. Garnish
with the scrambled egg.Serve hot or cold.


Accolade to publisher:
Hardie Grant I extend my warm thanks and hearty congratulations to you for all the outstanding cookbook publishing you deliver to us. I am proud to have your books on my shelf and to frequently use recipes from them as well as often just reading them for foodie reading pleasure.
I salute you and your chef authors, photographers, designers, editors, stylists, publicists and indeed all the team required to carry out such special publishing.